Maia Stefana Oprea


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DUSTOGRAPHY IV

I worked on this painting in my 38th and 39th weeks of pregnancy, waiting for Meira, my first daughter, to be born. Today I finished this painting dedicated to her, but she still doesn’t seem decided to jump into the world.

DUSTOGRAPHY IV, acrylic on canvas, 150 x 150 cm, 2015 Continue reading


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COLOURS OF LIFE @ CANTACUZINO CASTLE

The opening of Colours of Life exhibition at Cantacuzino Castel, Bușteni — with Andreea Floreanu, Radu Rodideal, Alexandru Cazanaru, Oana Ionel, Bianca Ioniță, Thomas Emmerling and Alexandra Tataru at Castelul Cantacuzino.

The opening of Colours of Life exhibition at Cantacuzino Castel, Bușteni — with (from left to right) Andreea Floreanu, Radu Rodideal,  Alexandru Cazanaru, Maia Ștefana Oprea, Bianca Ioniță, Thomas Emmerling and Alexandra Tataru at Castelul Cantacuzino.

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A great lover of art, Thomas Emmerling, the man who brought Salvador Dali at the famous Romanian Cantacuzino Castle in Bușteni (in the southern Carpathian Mountains), held at the same sumptuous palace in Prahova Valley an interesting art exhibition of Young Romanian Art. Seven top artists of the new generation (Alexandra Baciu Alexandru Căzănaru, Andreea Floreanu, Bianca Ioniță, Maia Ștefana Oprea, Radu Rodideal and Alexandra Camelia Tătaru) present their works in the exhibition “Colours of Life”, from Saturday, 24 October until December 6, 2015. Continue reading


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TRANSMOGRAFII LINIARE / LINEAR TRANSMOGRAPHIES

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TRANSMOGRAFIILE LINIARE

De multă vreme am ajuns să consider mare parte din schițele realizate în trecut (în perioada 2002 – 2012) ca fiind o materie și materiale ce trebuie digerate și reintegrate într-un circuit prezent de creație. Selecția acestora și timpul petrecut studiindu-le, analizândule, sau doar pur și simplu observându-le, depozitându-le și restaurându-le a înlocuit de fapt orice act prezent de creație cu o ștergere minuțioasă a amintirilor. Amintirea, ca apofantică, are întotdeauna o acțiune recursivă, raza ei se întinde asupra vieții mele actuale, ea este o intruziune în viața mea. Reutilizarea acestor schițe ar fi o curățire lăuntrică ce mi-ar da posibilitatea să renasc în și prin propria creație, dar nu ar fi propriu-zis o ștergere, cât un amplu proces de reparație și de petrecere a timpului.

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HARILAQ ‘4 ART FESTIVAL – KOSOVO 2015

Kosova Art Festival 2015_13

Every year, at the beginning of June, the Harilaq Art Festival (organised by the Municipality of Fushe Kosova and Muhamet Metis ) takes place near Prishtina, Kosovo. The Harilaq fortress is situated on top of the hill known by the local toponomy as the Gradina – Harilaq. It is built on the remain of an earlier prehistoric settlement, attested by the archaeological findings. Continue reading


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BIP 2015 – International Painting Biennial of Chișinău

BIP catalog 2015

“NO 2013”, [http://www.saatchiart.com/art/Painting-NU-2013/43191/1684688/view]

a recent self-portrait that I have realised,

was selected for the International Painting Biennial of Chișinău 2015,

an event organized under the patronage of the

Ministry of Culture of Republic of Moldova in the 

“Constantin Brâncuși” Exhibition Center in Chișinău.

“NU/ NO 2013 ” – acrylic/ canvas, 120 x 120 cm

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“The thought of Lady M.”

“The Thought of Lady M.” was realised in February 2012. I used a mixed technique, combining washable pastels, acrylics, oil colours, paper, wool, thread, all on a 80 x 60 cm canvas. It is available for sale at the price of 230 EUR(shipping not included.)

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A nocturnal atmosphere, in which each forehead hides a consciousness that cuts and cuts and cuts, like a guillotine blade. Everything exhales complicity and exhaustion. Each character stays silent and keeps hidden under its tongue, a black and wild thought, like a young mouse, a “corpse” who refuses to become word. Therefore, we are, somehow, in a dostoievskian situation, because each person buries behind its mimic a fault which does not fit elsewhere than in unspoken thoughts …
There is one character in the painting who knows that any guilty man plays with the snakes, with some snakes that only he can see. Guess who is it?


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“Germination” painting series

<<In what concerns the “Germination” series – beyond the almost premonitory sensitive character of the line, and the wild effect of carnal architecture in decay–, what especially attracts our attention is Maia Oprea’s capacity to maintain irreconcilable painting styles in proportion of structural balance. These are usually looking to exterminate each other when put “face to face”.>>

The “Germination” series is composed of five individual canvases, standing for themselves, which are based on the same inner form. Most important for me has been to reach the climax of the fight given to create, at the same time: a possible modular structure that could be perpetuated indefinitely and a sequence in which these so-called modules remain completely embedded in the whole that contains them, without their independence being affected.

Germination series in perspective

The current set is the result of a fiery war –which I attended as an active spectator – and the countless transformations occurring during work. What I had initially proposed myself was almost meant not to reach a purpose, and not infrequently I was afraid that if I add anything else, the canvas will be destroyed. 

Germination series on view at Melenia Art Gallery 2011