Every year, at the beginning of June, the Harilaq Art Festival (organised by the Municipality of Fushe Kosova and Muhamet Metis ) takes place near Prishtina, Kosovo. The Harilaq fortress is situated on top of the hill known by the local toponomy as the Gradina – Harilaq. It is built on the remain of an earlier prehistoric settlement, attested by the archaeological findings. Continue reading
In “Exhaustion” it is me with my dog, at the countryside, during summer, asleep in the fields.
But what I feel that is conclusive is what Francis Bacon said in an interview:
“What I feel it is conclusive is that when you are painting a man sitting, just like this, in a room, or walking down the street,
almost all the people looking at the paintings seem to agree that they portray anything but a trivial or neutral situation
and that figure is involved in some sort of crisis – perhaps the idea of an imminent disaster. ”
“Exhausted” is available for sale on Saatchi Online : http://www.saatchionline.com/art/Painting-Exhausted/43191/1854156/view
Hoping you will find it interesting to know more about my artist laboratory, the development of a painting project from zero to its exhibition, the ups and downs of the art studio life, and revealing the progress of my paintings, I welcome you to join me in this “venture” and share your opinion, comments and ideas!
“Black in Black” is a small collage in which I used Indian ink and a variety of black pieces cut from old sketches or prints of drawings.
has its roots in the disgust caused by excessive intimacy with the self, a self that doesn’t stand itself.
The desire to get to the surface of its depth results in some
“realities of live being, that are rebuild every moment, that connect one day to the other, throwing bridges over gaps, over amorphous states and irretrievable absences”
(Lucian Raicu, “Reflections of the Creative Spirit”).
The slightly shocking character (even for me) of these paintings does not seek to support the proclamations of Andre Breton, that
“beauty will be convulsive or will not be at all”,
instead itseeks to portray those remains of personal seizures, which – not without surprise – we discover that we share with everyone else.
I am a young Romanian artist, currently living and working in Bucharest, Romania. After pursuing my fine arts studies in the quiet Savannah (Georgia), on the east coast of the United States of America, followed by a great encounter with the french Alps in Grenoble, I am now finishing my painting bachelor at the Bucharest National Arts University.
Over the years I have undertaken projects in many different medias and techniques (such as video art, photography, graphic arts, sound art, art in public spaces), but I am nevertheless committed to what one would consider being the “traditional” arts, mainly those of painting, drawing, engraving and sculpture. For the moment I am going back and forth between contemporary approaches and traditional subjects . My paintings are usually the result of a fiery war, which I attend as an active spectator, and of the countless transformations occurring during work. What I often propose myself is almost meant not to reach a purpose, and not infrequently I am afraid that if I add anything else, the canvas will be destroyed. This makes me think of something I have read in the notes written by an artist I very much appreciate, the italian sculptor Alberto Giacometti : „ This is not to realise the vision I have of things, but to understand why we fail. (…) I’m indifferent to the difference between a successful and an unsuccessful thing. A successful painting, a failed painting, a successful drawing, a failed drawing , this doesn’t mean anything. The failure is of interest to me just as much as the success.” I wanted to share this with you because it somehow states what I consider will remain forever my conviction, mainly that the importance lies in the working process, and not in the finality of the art object.That my art will change according to my life, and the different styles as well, trying to remain as sincere as possible towards my art.
Having that in mind, I let the paintings speak for themselves.
As a mention, all my artworks are for sale.