Maia Stefana Oprea


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DUSTOGRAPHY IV

I worked on this painting in my 38th and 39th weeks of pregnancy, waiting for Meira, my first daughter, to be born. Today I finished this painting dedicated to her, but she still doesn’t seem decided to jump into the world.

DUSTOGRAPHY IV, acrylic on canvas, 150 x 150 cm, 2015 Continue reading

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TRANSMOGRAFII LINIARE / LINEAR TRANSMOGRAPHIES

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TRANSMOGRAFIILE LINIARE

De multă vreme am ajuns să consider mare parte din schițele realizate în trecut (în perioada 2002 – 2012) ca fiind o materie și materiale ce trebuie digerate și reintegrate într-un circuit prezent de creație. Selecția acestora și timpul petrecut studiindu-le, analizândule, sau doar pur și simplu observându-le, depozitându-le și restaurându-le a înlocuit de fapt orice act prezent de creație cu o ștergere minuțioasă a amintirilor. Amintirea, ca apofantică, are întotdeauna o acțiune recursivă, raza ei se întinde asupra vieții mele actuale, ea este o intruziune în viața mea. Reutilizarea acestor schițe ar fi o curățire lăuntrică ce mi-ar da posibilitatea să renasc în și prin propria creație, dar nu ar fi propriu-zis o ștergere, cât un amplu proces de reparație și de petrecere a timpului.

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HARILAQ ‘4 ART FESTIVAL – KOSOVO 2015

Kosova Art Festival 2015_13

Every year, at the beginning of June, the Harilaq Art Festival (organised by the Municipality of Fushe Kosova and Muhamet Metis ) takes place near Prishtina, Kosovo. The Harilaq fortress is situated on top of the hill known by the local toponomy as the Gradina – Harilaq. It is built on the remain of an earlier prehistoric settlement, attested by the archaeological findings. Continue reading


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‘COME AND LOOK. I(t) kicked the bucket. I(t)’M lying there, totally snuffed!’ – part 2

Within the installation ‘COME AND LOOK. I(t) kicked the bucket. I(t)’M lying there, totally snuffed!’, the public was invited to take one zăerc (What is a zăerc?) from the installation, in order to later photograph it its the new space (public space, inside the apartment, uncertain space, selfie with the zăerc, etc.).

Below are the photos received from the public and exposed as part of the installation and within the exhibition “What About Gregor Samsa” @ Galeria Anca Poterașu, Bucharest. MANY THANKS to all the participants !


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FINISSAGE ‘AFTER ZĂERCS’ exhibition, 2014

FOR  FRENCH  AND  ROMANIAN  TRANSLATIONS  PLEASE  SCROLL  DOWN :

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Finisaj 31 oct. After Zaercs07

ENGLISH: The following text is an excerpt from Pavel Șușară’s speech as a special invitee to the ending of my solo exhibition “After Zăercs” at Signum Gallery,  Bucharest, 31 october 2014

PAVEL ȘUȘARĂ (born in 1953, Banat) is a renowned author, art critic and historian, Romanian poet and writer, researcher of art history at the Institute of Art History of the Romanian Academy. Continue reading


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IN-TRIGÂ : AT HOME EVERYWHERE

EN:

Through the In-Trigâ: AT HOME EVERYWHERE video-performance (see The Small In-Trigâ Dictionary) I try to redefine my territory and my identity, assuming a status on the border between public and private, in the context of ongoing social political influences over my personal life. The promenade in which car I carry my zăercs is a propagation of the self in constant movement: between aesthetic and social, between the organic and the artificial, between life and death, between nature and culture, between art and everyday life. The First In-trigâ presents through the form of a funeral march the simplest, most common and recurrent activity in my life: the daily walk with my dog, in the fields near the village where I have my studio. Continue reading


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AFTER ZĂERCS exhibition 2014 / DUPĂ ZERCȘI expoziție 2014 @ SIGNUM GALLERY

AFTER ZAERCS exhibition 2014 @Signum Gallery, Bucharest

AFTER ZAERCS exhibition 2014 @Signum Gallery, Bucharest

Organiser: SIGNUM Gallery, under the patronage of the Bucharest Academy of Economical Studies

 AFTER ZĂERCS http://www.maiaoprea.ro/en/triga/after-zaerc/zaercs-of-objectual-support

 Master DEVIS GREBU honoured us by accepting the invitation to speak at the opening of the exhibition Continue reading