Every year, at the beginning of June, the Harilaq Art Festival (organised by the Municipality of Fushe Kosova and Muhamet Metis ) takes place near Prishtina, Kosovo. The Harilaq fortress is situated on top of the hill known by the local toponomy as the Gradina – Harilaq. It is built on the remain of an earlier prehistoric settlement, attested by the archaeological findings. Continue reading
Within the structure of an artwork, the truth and the false, the righteous and the injustice, the pain and the pleasure, the calm and the violence, they all become aesthetic categories. In their new artistic context even cruelty, inequality, Continue reading
Two ink washes I’ve realized during last summer.
It’s been a very intense week here in the village of Inoteşti, somewhere 100 km above Bucharest. Mothers ran from home leaving their children behind, youngsters drank ţuică to kill their toothache, dogs were frozen dead on the main roads, while I was discovering the realm of the unique and amazingly difficult technique of Watercolour, which I have very rarely approached in the past.
For the last couple of months I’ve been gathering stuff.
All kinds of stuff. Found, discarded, used, household electronics, whatever life cannot digest and whatever bits of cardboard my stove doesn’t need to light the fire.
HAPPY NEW YEAR 2013 !
During the last couple of years I struggled with an issue which may be concerning many young artists:
WHAT SHALL I DO WITH ALL MY PAST SKETCHES,
DRAWINGS AND PAINTINGS ?
Many years ago the answer lied in the garbage,
but I realised one can never be certain whether
a tiny sketch is good at all, or extremely bad ?
I invite you to see two of the series of works made from such diverse sketches :
It took years until I could ‘sift’ my past drawings, while keeping them all in storage for future reference. Having the tendency to refer only to the quality of a drawing, to its perceptual intensity, I had forgotten the importance of the memories which gave birth to all these sorts of life sketches. Although I’m generally more than happy to throw any object whatsoever, it became impossible to throw bits of myself filtered through drawing. Continue reading
Hoping you will find it interesting to know more about my artist laboratory, the development of a painting project from zero to its exhibition, the ups and downs of the art studio life, and revealing the progress of my paintings, I welcome you to join me in this “venture” and share your opinion, comments and ideas!
<<In what concerns the “Germination” series – beyond the almost premonitory sensitive character of the line, and the wild effect of carnal architecture in decay–, what especially attracts our attention is Maia Oprea’s capacity to maintain irreconcilable painting styles in proportion of structural balance. These are usually looking to exterminate each other when put “face to face”.>>
The “Germination” series is composed of five individual canvases, standing for themselves, which are based on the same inner form. Most important for me has been to reach the climax of the fight given to create, at the same time: a possible modular structure that could be perpetuated indefinitely and a sequence in which these so-called modules remain completely embedded in the whole that contains them, without their independence being affected.
The current set is the result of a fiery war –which I attended as an active spectator – and the countless transformations occurring during work. What I had initially proposed myself was almost meant not to reach a purpose, and not infrequently I was afraid that if I add anything else, the canvas will be destroyed.