Maia Stefana Oprea


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Sibilants

old-sketches-2-r

HAPPY NEW YEAR 2013 !

During the last couple of years I struggled with an issue which may be concerning many young artists:

 WHAT SHALL I DO WITH ALL MY PAST SKETCHES,

DRAWINGS AND PAINTINGS ?  

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Many years ago the answer lied in the garbage,
but I realised one can never be certain whether
a tiny sketch is good at all, or extremely bad ?

       I invite you to see two of the series of works made from such diverse sketches : 

COLLAGES OF OLD SKETCHES

  MIGRATIONS

     It took years until I could ‘sift’ my past drawings, while keeping them all in storage for future reference. Having the tendency to refer only to the quality of  a drawing, to its perceptual intensity, I had forgotten the importance of the memories which gave birth to all these sorts of life sketches. Although I’m generally more than happy to throw any object whatsoever, it became impossible to throw bits of myself filtered through drawing. Continue reading

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Hello Everyone

Hello everyone,

I am a young Romanian artist, currently living and working in Bucharest, Romania. After pursuing my fine arts studies in the quiet Savannah (Georgia), on the east coast of the United States of America, followed by a great encounter with the french Alps in Grenoble, I am now finishing my painting bachelor at the Bucharest National Arts University.

Over the years I have undertaken projects in many different medias and techniques (such as video art, photography, graphic arts, sound art, art in public spaces), but I am nevertheless committed to what one would consider being the “traditional” arts, mainly those of painting, drawing, engraving and sculpture. For the moment I am going back and forth between contemporary approaches and traditional subjects . My paintings are usually the result of a fiery war, which I attend as an active spectator, and of the countless transformations occurring during work. What I often propose myself is almost meant not to reach a purpose, and not infrequently I am afraid that if I add anything else, the canvas will be destroyed. This makes me think of something I have read in the notes written by an artist I very much appreciate, the italian sculptor Alberto Giacometti : „ This is not to realise the vision I have of things, but to understand why we fail. (…) I’m indifferent to the difference between a successful and an unsuccessful thing. A successful painting, a failed painting, a successful drawing, a failed drawing , this doesn’t mean anything. The failure is of interest to me just as much as the success.” I wanted to share this with you because it somehow states what I consider will remain forever my conviction, mainly that the importance lies in the working process, and not in the finality of the art object.That my art will change according to my life, and the different styles as well, trying to remain as sincere as possible towards my art.

Having that in mind, I let the paintings speak for themselves.

As a mention, all my artworks are for sale.