I worked on this painting in my 38th and 39th weeks of pregnancy, waiting for Meira, my first daughter, to be born. Today I finished this painting dedicated to her, but she still doesn’t seem decided to jump into the world.
A great lover of art, Thomas Emmerling, the man who brought Salvador Dali at the famous Romanian Cantacuzino Castle in Bușteni (in the southern Carpathian Mountains), held at the same sumptuous palace in Prahova Valley an interesting art exhibition of Young Romanian Art. Seven top artists of the new generation (Alexandra Baciu Alexandru Căzănaru, Andreea Floreanu, Bianca Ioniță, Maia Ștefana Oprea, Radu Rodideal and Alexandra Camelia Tătaru) present their works in the exhibition “Colours of Life”, from Saturday, 24 October until December 6, 2015. Continue reading
Within the installation ‘COME AND LOOK. I(t) kicked the bucket. I(t)’M lying there, totally snuffed!’, the public was invited to take one zăerc (What is a zăerc?) from the installation, in order to later photograph it its the new space (public space, inside the apartment, uncertain space, selfie with the zăerc, etc.).
Below are the photos received from the public and exposed as part of the installation and within the exhibition “What About Gregor Samsa” @ Galeria Anca Poterașu, Bucharest. MANY THANKS to all the participants !
ENGLISH (for Romanian please scroll down). The following installation is part of my In-trigâ project. I invite you to read more About Trigâ: http://www.maiaoprea.ro/ro/in-triga/despre
‘Come and look. I(t) kicked the bucket. I(t)’M lying there, totally snuffed!’
is an installation realised after the call for projects entitled ” What about Gregor Samsa ?” , launched by Anca Gallery Poteraşu in 2015 under the curatorship of Ioana Mandeal. Continue reading
Master Devis Grebu honoured me greatly by opening my exhibition AFTER ZĂERCS @Signum Gallery in Bucharest:
EN: … she is a sort of locomotive, a locomotive that doesn’t crush the truck or the barriers when they meet, but who simply — I would say– plants flowers behind. She is multiple, has no limits, has this curiosity of the genius to insert, to intervene in all areas, in all matters … and succeeds, and does them very well, in my opinion even better: out of the ordinary. I am so happy for her evolution. It was 11 years ago that we met for the first time. (…) This exhibition is a more special exhibition, since it also has its humor, having been started out of a language problem …… ever since her childhood.
She uses many different materials here, which she either combines or suggests. In the paintings that she does with oil or acrylic on canvas she still suggests combinations of diverse materials. I do not think that one can define her, figurative, surrealist, abstract? I look at her paintings and they could be abstract, but also surrealist or figurative. Because you discover – if you want — in each of the paintings elements that are specific to these categories. I think this is actually a quality. Better yet, not to be integrated under a specific dome. Neither I, in what I do, I don’t think that I could fall under a certain (…) and maybe I an subjective because I see in her the same ambitions, the same desires.
Through the In-Trigâ: AT HOME EVERYWHERE video-performance (see The Small In-Trigâ Dictionary) I try to redefine my territory and my identity, assuming a status on the border between public and private, in the context of ongoing social political influences over my personal life. The promenade in which car I carry my zăercs is a propagation of the self in constant movement: between aesthetic and social, between the organic and the artificial, between life and death, between nature and culture, between art and everyday life. The First In-trigâ presents through the form of a funeral march the simplest, most common and recurrent activity in my life: the daily walk with my dog, in the fields near the village where I have my studio. Continue reading
Organiser: SIGNUM Gallery, under the patronage of the Bucharest Academy of Economical Studies
Master DEVIS GREBU honoured us by accepting the invitation to speak at the opening of the exhibition Continue reading